Piper will be honored in absentia by Harvard University in a public gathering and screening of her film Passing Beyond Passing (2004). Reminiscent of the city symphonies of the 1920s and inspired by Eisenstein’s unfinished film ode to Mexico ( Que Viva Mexico! ), Kalatozov’s I Am Cuba is a loving portrait of. Iran/France, 1994, DCP, color, 103 min. Oct 7, 2022 · Channeling the spirit of Bob Fosse, and complementing the wonderful blue collar Portuguese musical from 2017 A Fábrica de Nada (also produced by the powerhouse company Terratreme), Will-o’-the-Wisp is a delightful fantasy animated by Rodrigues’ cinephilia and equal love of Titian and Caravaggio. Directed by Kathleen Collins. Shaped to occupy the time between two sunrises, the film. New Line / Photofest. Meanwhile, his son has both suffered through the Cultural Revolution and found happiness raising horses in Inner Mongolia. Like his earlier Walk Cheerfully, Dragnet Girl follows a gangster whose encounter with a good-hearted girl sets him on a road to righteousness. DCP source: Janus Films. Directed by Kenji Mizoguchi. The Harvard Film Archive’s world-class collection is especially rich in classic European art cinema, documentary and experimental film. Directed by Kivu Ruhorahoza. Dec 1, 2023 · The Kingdom(Okoku) Directed by Kanai Katsu. Haden Guest 0:13. Order tickets. The screenings are on Fridays, Saturdays, Sundays, and Mondays, except on July 4, and are repeated every week on the calendar. The cinematheque presents films Friday through Monday year round. Yugoslavia, 1989, digital video, color, 81 min. Spanish and Mapudungun with English subtitles. Now Showing. 6,877 likes · 10 talking about this · 1,079 were here. The Clowns is Fellini’s unabashed tribute to the circus, one of. At Harvard the largest collection of ephemera is the Lothar and Eva Just Stills Collection. With Ibrahima Boye, Fatim Diagne, Amadi Dieng. courtesy New Yorker Films/Photofest. Staged minimally, in one setting with a small cast, Pilgrim, Farewell could be called a four-hander or chamber piece, but more elegantly described as a small symphony. Harvard Film Archive screened Fritz Lang’s Spies. The driver’s. With Amanda Langlet, Arielle Dombasle, Pascal Greggory, Feodor Atkine. With Pierre Léon, Rita Durão, Adolfo Arrieta. Directed by Ousmane Sembène. Harvard Film Archive Current Programs September 4–December 15 From the Harvard Film Archive Collection November 3–December 3 Out of the Ashes – The US-ROK Alliance & South Korean Cinema November 18–December 1 Under the Underground – The Visionary Cinema of Kanai Katsu December 4 The Oath of the Sword. EAMI introduction and post-screening discussion with filmmaker Paz Encina, Cecila Barrionuevo, translator Erin Goodman and HFA Director Haden Guest. The diary has that rare virtue of never quite being a “work” but, rather, always, a work in process. Brazil, 2003, 35mm, color, 123 min. In Blue Thunder, paranoia of the 1970s meets the macho action film of the 1980s and anxieties that have only grown more pronounced since the film was made. Traveling across Italy, Pasolini and his camera interview people on the street, sunbathers at the beach and soccer players on the pitch about their attitudes towards marriage and divorce, homosexuality,. Celebrate the work of a ward-winning conceptual artist and philosopher Adrian Margaret Smith Piper AM ’77, PhD ’81, recipient of the 2023 Harvard Arts Medal. 11/5 screening: no short. The Harvard Film Archive (HFA) is a film archive and cinema located in the Carpenter Center for the Visual Arts at Harvard University in Cambridge, Massachusetts. The screenings are on Fridays, Saturdays, Sundays, and. A talk on medieval stained glass, accompanied by Hiler’s own still images taken over the years, principally in those cathedrals in France. With John Gielgud, Dirk Bogarde, Ellen Burstyn. Friday, July 1: 8 1/2 (Screening on Film). The program covers more than thirty years, with a special focus on the 1970s and ‘80s, and includes work by nearly two dozen directors, thus affording a panoramic look at the diversity of artists within the “L. Days(Rizi) Directed by Tsai Ming-liang. The Stormy Times. US, 2000, 16mm, color, 288 min. Directed by Federico Fellini. With Ginger Rogers, Ray Milland, Rita Johnson. Now Showing. Sep 11, 2022 · Through the Olive Trees(Zire darakhatan zeyton) Directed by Abbas Kiarostami. Sunday | September 4, 2022 3:00 pm. 9:00 PM. My first film, The Deserted Archipelago, emerged out of the intersections between my own experiences and fantasies and Japan’s postwar history, and, as such, I might call it the “Human Chapter” of my trilogy. Print source: Deutsche Kinemathek. Harvard Film Archive, Fine Arts Library, Harvard University. With Cho Yun-hee, Lee Hye-yeong, Kwon Hae-hyo. Channeling the spirit of Bob Fosse, and complementing the wonderful blue collar Portuguese musical from 2017 A Fábrica de Nada (also produced by the powerhouse company Terratreme), Will-o’-the-Wisp is a delightful fantasy animated by Rodrigues’ cinephilia and equal love of Titian and Caravaggio. Moi, un noir(I, a Negro) Directed by Jean Rouch. With Marcel Dalio, Nora Grégor, Jean Renoir. US, 1964, 35mm, color, 150 min. The archive holds over 25,000 audio and visual items from around the world and almost every period in film history. Wolof, Arabic, English and Dyula with English subtitles. $10 - Regular admission. With Samantha Morton, Jason Patric, Teri Garr. Citarella and Paredes—part of El Pampero Cine, the. $15 - Special Event ticket price for all patrons. Oct 8, 2022 · The double title of our film also echoes a line of The Green Years ’ title song, “With No Before and After. How do you know when it's time to leave? This is one of the questions raised by Jean-Pierre Bekolo's forth feature film, shot in Cameroon, a country ruled for over forty years by Paul Biya. In this film, the iconic figures now appear as symbols of the colonial takeover that occurred with the development of Brasília, a utopian vision that negated the existence of the lives and land already there. In 2017 I invited Jerome Hiler to the Harvard Film Archive to present Cinema Before 1300, an illustrated lecture he had delivered over the years on several occasions whose title and subject intrigued me. The program covers more than thirty years, with a special focus on the 1970s and ‘80s, and includes work by nearly two dozen directors, thus affording a panoramic look at the diversity of artists within the “L. Oates brings a depth of melancholy, regret and longing to his portrayal of a stubborn farmer faced with a series of momentous decisions and discovering unexpected friendship. Germany/US, 1994, 35mm, color, 57 min. French with English subtitles. Brazil, 2003, 35mm, color, 123 min. Screening on Film. Martine Syms is a 2022 Josep Luís Sert Practitioner in the Arts in the Department of Art, Film and Visual Studies. Japanese with English subtitles. Print source: Pasolini Foundation. I am Cuba(Yo Soy Cuba) Screening on Film. Print source: China Film Museum. In addition, the collection consists of programming calendars from fifty different archives, cinematheques, and museums, as well as a small collection of film journals, festival programs, and newsletters from. Gazette Classification: Diversity and Inclusion, Film Organization/Sponsor: Harvard Film Archive Cost. Directed by Hong Sangsoo. 16mm In-Person Screening HFA. Print source: Janus Films. Marketing Intern Cleveland Cinemas Jan 2004 - Feb. Apr 8, 2018 · For more interviews and talks, visit the Harvard Film Archive Visiting Artists Collection page. DCP source: Janus Films. Persian with English subtitles. For the remainder of 2023, response times for the HFA's research services, including reference requests, in-person viewing appointments, and reformatting requests will be operating on a delayed timeline. His extensive. Directed by John Ford. The Harvard Film Archive is a cinematheque and a film archive dedicated to the preservation and public exhibition of film. Print source: Deutsche Kinemathek. Directed by Andy Warhol. This is the introduction by HFA Director Haden Guest and AFVS Professor Alfred Guzzetti. With Tamoto Soran, Iwasaki Satoko, Takahashi Yusuke. The Harvard Film Archive is one of the largest university-based motion picture collections in the United States, with a collection of 40,000 audio visual items, a growing number of. DCP source: Filmmaker. South Korea, 2021, DCP, black & white, 66 min. Iran, 1984, DCP, color, 85 min. The openly theatrical artifice driving Azevedo Gomes’ finest work is showcased in this short film commissioned by the cultural office of the eponymous city. Rio, Northern Zone - Harvard Film Archive. A successful gas station owner and single mother, Faat Kiné (Younousse. Friday, December 1st. The black and white short can be viewed as Gardner’s first film, indicating the direction and tendencies which would continue to. “The greatness of Astruc is to be a true avant-garde artist, modern but against the tide. Italy, 1964, 35mm, black & white, 92 min. Directed by King Vidor. Japanese with English subtitles. A talk on medieval stained glass, accompanied by Hiler’s own still images taken over the years, principally in those cathedrals in France. The director’s latest two projects— Logbook Serbistan (2015) and The Most Beautiful Country in the World (2018)—take place on the Balkan refugee. Italy, 1954, 35mm, black & white, 115 min. Virtual Screening Cinema Before 1300. Japanese with English subtitles. DCP source: Janus Films. edu/ (Harvard Key and two-step verification required. After one year of film school in Moscow, Ousmane Sembène returned to Senegal and made Borom Sarret, which he considered to be his “first true short film. Print source: HFA. For more interviews and talks, visit the Harvard Film Archive Visiting Artists Collection page. Directed by Mohsen Makhmalbaf. Before cloistering herself forever from the world outside, Viridiana pays a final visit to her estranged, dying uncle. Commissioned by South Korea’s first Minister of Culture, Lee O-young, it also demonstrates the recognition of her talent beyond the experimental film world. September 4–December 15 From the Harvard Film Archive Collection January 19–February 25, 2024 Ousmane Sembène, Cinematic Revolutionary 7:00 pm The Go-Between Directed by Joseph Losey, 1971. Reminiscent of the city symphonies of the 1920s and inspired by Eisenstein’s unfinished film ode to Mexico ( Que Viva Mexico! ), Kalatozov’s I Am Cuba is a loving portrait of. French with English subtitles. Former boxer Joji (Oka Joji) commands a gang of. 9:00 PM. The Stormy Times. After the triumph of The Life of Oharu at Venice, Mizoguchi and Tanaka were once more in the international spotlight after Ugetsu won a top prize at the festival with. With Pierre Léon, Rita Durão, Adolfo Arrieta. With Akiyama Hiroshi, Hagino Motohiko, Hida Yoshitaka. During the 2021-22 academic year, undergraduate and graduate students from across the university are invited to collaborate with the HFA in the curation and organization of screenings aimed principally at a campus-wide student audience but also open to the entire Harvard community. Directed by Ozu Yasujiro. It contains the negatives, prints, soundtracks and all associated pre-print materials for the children-made films, films made by older students as well as her own children, the Red Grooms' collaborations, and her own pieces. French with English subtitles. Directed by Kenji Mizoguchi. $15 Special Event Tickets. 9:00 PM. With Shafiq Syed, Raghubir Yadav, Aneeta Kanwar. The double title of our film also echoes a line of The Green Years ’ title song, “With No Before and After. Browse collections. The Harvard Film Archive’s cinematheque presents films Friday through Monday year round. The cinematheque presents films Friday through Monday year round. In 2017 I invited Jerome Hiler to the Harvard Film Archive to present Cinema Before 1300, an illustrated lecture he had delivered over the years on several occasions whose title and subject intrigued me. Spanish with English subtitles. Veteran Japanese filmmaker Adachi Masao (b. Winner of the prestigious Tiger Award at the 2022 Rotterdam International Film Festival, EAMI is an exemplary work of compassionate cinema. The first female filmmaker in Cuba, Sara Gómez (1942-1974) was, in her lifetime, also the only female director and one of very few black directors in her country. Dedicated to "all the militants of the African cause," Emitaï is the first in a series of controversial and revolutionary films about collective, anti-colonial resistance. Out of the Ashes – The US-ROK Alliance & South Korean Cinema. Video-Palaro is a compilation of five short films made between 1992 and 2006, a period during which Tahimik has continued to document his life and travels, while switching formats from 16mm to video. Among Ozu’s most beloved films, Late Spring is considered the first of the so-called Noriko Trilogy (continued in Early Summer and Tokyo Story) starring Hara Setsuko in the eponymous role as a paradigm of filial piety faced with a serious challenge to her dutifully assumed role. Order tickets. With Edie Sedgwick. The social status of filmmaking among ordinary people, central to Abbas Kiarostami’s wonderful Close. Jan 17, 2020 · Directed by Angela Schanelec. Discovering individual items requires using the five finding aids. 16mm In-Person Screening HFA. Directed by Han Okhi. Italian and French with English subtitles. Wings of Desire introduction and post-screening discussion with Haden Guest and Wim Wenders. Portuguese with English subtitles. (Complete calendar listings from 1999-present are accessible on the HFA's website. DCP source: Janus Films. November 18–December 1 Under the Underground – The Visionary Cinema of Kanai Katsu November 6–13 Songs of Love and Loss. Ceddo(The Outsiders) Screening on Film. Korean with English subtitles. As Senior Lecturer in Harvard’s Department of Art, Film, and Visual Studies, Guest teaches courses on film history and archival practice. Print source: HFA. 9:00 PM. The Stormy Times. Spanish, French and Mapudungun with English subtitles. Public Cinema. According to the director's synopsis: "The year is 1989. A division of Harvard Library, the Harvard Film Archive is one of the largest and most significant university-based motion picture collections in the United States, with a. The Flower in Hell. The Harvard Film Archive is pleased to present this tribute to local filmmaker Jan Egleson, recipient of this year’s Vision Award for Distinguished Filmmaking from the Boston Film/Video Foundation. Zelimir Zilnik at the HFA. The Harvard Film Archive’s world-class collection is especially rich in classic European art cinema, documentary and experimental film. With this opportunity to watch the last seven films of Hong Sangsoo, the Harvard Film Archive offers us the possibility of three distinct experiences. As part of an international celebration to mark the centennial of the birth of the Japanese master Yasujiro Ozu (1903–1963), Harvard Film Archive, in association with the Reischauer Institute of Japanese Studies at Harvard and the Japan Society of Boston, presents a major retrospective of the director’s work from his four. in the History of Art from Harvard University in 1980 and 1985; an M. Using his own concept of the "kino. Spain, 2005, 35mm, color, 10 min. From the window of our apartment in Lisbon, one can see a location of Rocha's film, practically the same perspective from which Rocha filmed it almost sixty years ago. Directed by Anand Patwardhan. , Cambridge. Japan, 1953, 35mm, black & white, 97 min. The Kingdom. Directed by Anand Patwardhan. The Kronhausens, a Paris-based team of psychotherapists, produced a series of books as well as several films to present the findings of their exploration of human sexuality. In choosing to direct two early Pinter one-acts, The. Add to calendar. Italian and English with English subtitles. The film begins with a simple, auspicious premise: Sophie in Berlin switches flats for a while with a woman in Marseille. As a critic for Cahiers du cinéma, Assayas was among the first to recognize the profound talent of Hou Hsiao-hsien, the Taiwanese director often considered to be one of the greatest filmmakers working today. His newest work, Revolution+1, extends the mode of politically outspoken activist cinema. A talk on medieval stained glass, accompanied by Hiler’s own still images taken over the years, principally in those. A still from Flora Gomes' "Tree of Blood. US, 1984, 35mm, color, 106 min. Korean with English subtitles. Discounts apply for Harvard Film Archive Members. Italian and French with English subtitles. Directed by Hong Sangsoo. Swedish with English subtitles. The films themselves embody a variety of styles, from classical narrative storytelling to neorealism and beyond. Directed by Shin Sang-ok. Copy source: LCJ Editions. The director’s latest two projects—Logbook Serbistan (2015) and The Most Beautiful Country in the World (2018)—take place on the Balkan refugee route and in Austrian undocumented communities respectively, each charting a particular phase in the itinerary of migrants from North Africa and Asia. Film Series. Directed by Jean-Pierre Bekolo. Directed by Ozu Yasujiro. Regarding the unusual financing behind the short film Tauw, a commission by the National Council of the Church of Christ, Sembène simply stated: " I am taking the money from where I can get it. Welcome to the Harvard Film Archive Virtual Festival! Explore our on-demand catalog here, and head over to the Live Streams tab to see what's coming up. Hartley’s most experimental feature, Flirt is a thrice-told tale about mis-directed love. Swedish director Lasse Hallström ( My Life as a Dog, The Cider House Rules) brings his unique sensibility for finding the whimsical and bizarre in the everyday to Peter Hedges’s cult novel about the life of a dysfunctional but. Soviet Union, 1965, 35mm, color and b&w, 97 min. His newest work, Revolution+1, extends the mode of politically outspoken activist cinema. The Harvard Film Archive Cinematheque Collection consists of film program calendars from the Harvard Film Archive from 1984 until 2007. January 2–February 25 Ousmane Sembène, Cinematic Revolutionary Today Tomorrow Tuesday The Harvard Film Archive is a cinematheque and a film archive dedicated to. Harvard Film Archive, Fine Arts Library, Harvard University. US, 1963, DCP, black & white, 59 min. The driver’s. Citarella and Paredes—part of El Pampero Cine, the. After the triumph of The. Directed by Han Hyung-mo. An early film made while Gardner was a graduate student at the University of Washington, Blunden Harbour is an incisive look at the small group of Kwakiutl Indians living on the coast of Vancouver Island in British Columbia. US, 1984, 35mm, color, 106 min. After the success of Legend of Tianyun Mountain made him the foremost director whose work was explicitly critical of Maoist excesses, Xie turns. He eventually turns. A recent convert to. Directed by Eberhard and Phyllis Kronhausen. download video for twitter, wonka showtimes amc
He is currently writing a critical history of Portuguese cinema after the 1974 Carnation Revolution. . Harvard film archive calendar
Kinyarwanda and French with English subtitles. Iran/France, 1994, DCP, color, 103 min. Between 1896 and 1912 he directed some 500 films, of which fewer than 100 are known to have. Meanwhile, his son has both suffered through the Cultural Revolution and found happiness raising horses in Inner Mongolia. For more interviews and talks, visit the Harvard Film Archive Visiting Artists Collection page. Terrence Malick’s second film is set in the Texas Panhandle in 1916, with a plot out of the operas and stage melodramas of that era: lovers on the run pose as brother and sister to find work on a farm, only to have the ailing farmer fall in love. Print source: Academy Film Archive Share The Getaway was Peckinpah’s bid to make a conventional genre film—one in which the forward motion of the plot is never interrupted by melancholy ruminations, extended flashbacks (or flash forwards) or complex montage sequences. Dec 2, 2023 · Directed by Joseph Losey. In choosing to direct two early Pinter one-acts, The. $15 Special Event Tickets. Regarding the unusual financing behind the short film Tauw, a commission by the National Council of the Church of Christ, Sembène simply stated: "I. Taiwan/Hong Kong, 1975, 35mm, color, 107 min. Japanese with English subtitles. Wolof with English subtitles. South Korea, 1958, DCP, black & white, 87 min. Located in the historic Carpenter Center for. 7:00 PM. With Tamoto Soran, Iwasaki Satoko, Takahashi Yusuke. EAMI introduction and post-screening discussion with filmmaker Paz Encina, Cecila Barrionuevo, translator Erin Goodman and HFA Director Haden Guest. “I do not want to merely make films about guest workers; rather, as a guest worker myself, I would also like to learn something. Unrestricted in its indictment of France’s postwar hypocrisy, Camp de Thiaroye is one of the greatest war films of all time. With Anna Karina, Jean-Claude Brialy, Jean-Paul Belmondo. Anne died of cancer September 15, 2012 leaving behind an archive of a life passionately examined, primarily through the rough warmth of Super 8. , Nov. 3 films in package. Back at Malibu, I prowled the house, tried to read scripts, and behaved like a caged bear. Directed by Ousmane Sembène. Harvard Film Archive, Fine Arts Library, Harvard University. Located in Buenos Aires for most of his life, Listorti was a programmer at the. In 2017 I invited Jerome Hiler to the Harvard Film Archive to present Cinema Before 1300, an illustrated lecture he had delivered over the years on several occasions whose title and subject intrigued me. French with English subtitles. 16mm In-Person Screening HFA. Through the kindness of Zaven Sargsyan, director of the Parajanov Museum in Yerevan, we are pleased to present a program of some of the rarest of all Parajanov films, presented here on video. In addition, the collection consists of programming calendars from fifty different archives, cinematheques, and museums, as well as a small collection of film journals, festival programs, and newsletters from. With Atom Egoyan, Arsinée Khanjian, Ashot Adamian. Copy to clipboard. Devour the Land: Cinema, Landscape, History Harvard Film Archive October 8 – December 13, 2021 Skip to main content. October 8-28 Trenque Lauquen by Laura Citarella September 1-October 14 Música de Câmara. Harvard Film Archive The films and videos in the HFA collection are all found in HOLLIS. Directed by Ozu Yasujiro. Mandarin with English subtitles. Discovering individual items requires using the five finding aids. The Kingdom. Directed by Adachi Masao. A talk on medieval stained glass, accompanied by Hiler’s own still images taken over the years, principally in those. Poor Little Rich Girl. In its second issue, published to coincide with a major gathering of filmmakers and films for the Underground Film Festival in. With David Shapiro, Ch'oe Sung-gyo, Pak Tan-ju. Directed by Pier Paolo Pasolini. , Cambridge. Portugal, 1988, 16mm, color, 12 min. Banned in Senegal on an absurd technicality, Ceddo, Sembene’s most ambitious film, uses the story of a beautiful princess’s kidnapping to examine the. 7:00 PM. In addition, there are over 3,000 leaflets or handbills (chirashi) from regional movie theaters (more than 70 theaters, mostly in Tokyo) from the 1910s through 1940s. The Harvard Film Archive is a cinematheque and a film archive dedicated to the preservation and public exhibition of film. The Stormy Times. With Johnny Depp, Leonardo DiCaprio, Juliette Lewis. It maintains an extensive archive of over 40,000 motion picture prints, audiovisual elements and ephemera from around the world and from almost every period in film history. Similar to Hou Hsiao-Hsien’s A City of Sadness (1989), A Brighter Summer Day also traces the experiences of a large family during a critical. Traveling across Italy, Pasolini and his camera interview people on the street, sunbathers at the beach and soccer players on the pitch about their attitudes towards marriage and divorce, homosexuality,. Harvard Film Archive. Iran, 1987, DCP, color, 83 min. Directed by Rita Azevedo Gomes. Oct 8, 2022 · The double title of our film also echoes a line of The Green Years ’ title song, “With No Before and After. Close Powered by ArchivesSpace v3. Ever since Tsai prematurely announced his retirement from filmmaking following the release of Stray Dogs, his output has had a diminishing relationship to narrative, and Days provides only the slimmest shell of one. 7:00 PM. Print source: HFA. War and Peace(Jang aur Aman) Anand Patwardhan in Person September 20. Directed by Fred Kelemen, 1997–98. Ruhorahoza’s first feature is akin to a. The surprise box office success of What Ever Happened to Baby Jane? dared Aldrich to draw from the same lurid well of Gothic nightmares another black fable of a spinster trapped in a decaying. Korean with English subtitles. Directed by Ousmane Sembène. With Masayuki Mori, Machiko Kyo, Kinuyo Tanaka. Dedicated to the collection, preservation and exhibition of film, the HFA houses a collection of over 25,000 films in addition to videos, photos, posters and other film ephemera from. Untitled 77-A (Muje 77-A) Directed by Han Okhi. Friday, July 1: 8 1/2 (Screening on Film). South Korea, 1977, digital video, color, 6 min. The Harvard Film Archive is one of the largest and most significant university-based motion picture collections in the US, with over 40,000 audio visual items, a growing number of manuscript collections, and nearly one million still photographs, posters and other promotional materials. Directed by Hubert Cornfield. English and Russian with English subtitles. [APPLAUSE] Martin Marks 0:18. Directed by Fred Kelemen, 1997–98. Read More. The Harvard Film Archive is a cinematheque and a film archive dedicated to the preservation and public exhibition of film. His newest work, Revolution+1, extends the mode of politically outspoken activist cinema. With Maren Eggert, Emily Atef, Alexis Loret. Centralized events calendar for Harvard College. Harvard Film Archive presents films each week in a 200-seat theater featuring state-of-the-art film and digital projection, regularly hosting filmmakers to discuss their work. Serbo-Croatian with English subtitles. DCP source: Korean Film Archive. A precursor to his better-known Homework, this film is both more ambivalent and more defined. One of the most versatile film directors in Korean history, Shin Sang-ok won both commercial success and international critical acclaim. Directed by Fred Barzyk. $15 - Special Event ticket price for all patrons. Find Film Ephemera. $10 - Regular admission. Japanese with English subtitles. Monday | January 22 7:00 pm. The Film Poems of Ana Vaz February 9-March 3, 2024 This Is Us. The Harvard Film Archive is proud to honor the work of this master filmmaker by presenting eight of Hu’s eleven features, including all of his classic wuxia films. Jan 20, 2023 · Love Letter(Koibumi) Directed by Kinuyo Tanaka. Welcome to the Harvard Film Archive Virtual Festival! Explore our on-demand catalog here, and head over to the Live Streams tab to see what's coming up. Print source: HFA. With Boris Nin, Rahela Macic, Andrej Rozman. Replacing the aerial dread of The Dawn Patrol and Today We Live with the bleakness of trench life during WWI, The Road to Glory again finds. Germany/France , 2004, 35mm, color, 95 min. He travels with his wife (Arsinée Khanjian, his real-life live-in partner) as. João Rui Guerra da Mata’s always. Directed by Raúl Ruiz and Valeria Sarmiento. (the green house next to the Harvest Restaurant) 617-495-2828 Outings_Innings@harvard. Photo: Marcus Halevi. . downloadram